10 YEARS is the first comprehensive book on the artist Eric Yahnker, capturing a decade of art and exhibitions. From early graphite drawings in 2008, through to a solo exhibition in New York at the end of 2018. The subject of Yahnker’s work has always been closely tied to the cultural and political upheavals in America, these ten years (2008-2018) also reveal the seismic shift in American culture itself during that decade. Three hundred and twelve pages of high quality reproductions of his virtuosic draftsmanship skills in graphite, charcoal and pastel are emphasized, as are his installation and sculptural works. Approaching a catalogue raisonné, this handmade, limited edition monograph is a critical look at an important period in the artist’s career as well as a shoulder-check on a decade of American culture.
ISBN: 978-1-926968-43-8
Size: 8” x 10” / 20.25 cm x 25.5 cm
Pages: 312 (color)
Cover: Debossed blind and gold foil stamp with photo tip-in
Limited Edition of 400 copies
Language: English
Slow Scrape is, in the words of Layli Long Soldier, “an expansive and undulating meditation on time, relations, origin and colonization. » Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and embodiment as modes of relational being and knowledge. The book unfolds a poetics of relation and action to counter the settler colonial violences of erasure, extraction, and dispossession. Slow Scrape can be read alongside Lukin Linklater’s practice as a visual artist and choreographer.
Slow Scrape includes an introduction by Layli Long Soldier, as well as a dialogue between Lukin Linklater and editor Michael Nardone.
– 6.5” x 9.25”
– 108 pg
– Interior Printed 1 Colour Risograph (Blue)
– Edition of 250
Tanya Lukin Linklater’s performances, videos, installations, and writings work through orality and embodiment – investigating histories of Indigenous peoples’ lives, lands, and structures of sustenance. She has studied at Stanford University, the University of Alberta, and, presently, at Queen’s University, where she is a doctoral candidate in Cultural Studies. While Lukin Linklater’s Alutiiq homelands are in southern Alaska (Native Villages of Afognak and Port Lions), she has lived and worked in Nbisiing Anishnabek territory in northern Ontario, Canada for more than a decade. Slow Scrape is her first collection of poetry.
Series Editors Nathan Brown and Michael Nardone, Design & Layout by LOKI
Published by The Centre for Expanded Poetics & Anteism
In this first non-technical introduction to emerging AI techniques, artist Casey Reas explores what it’s like to make pictures with generative adversarial networks (GANs), specifically deep convolutional generative adversarial networks (DCGANs). This text is imagined as a primer for readers interested in creative applications of AI technologies. Ideally, readers will explore the strategies of this emerging field as outlined, and remix them to suit their desires. We hope to inspire future research and collaboration, and to encourage a rigorous discussion about art in the age of machine intelligence.
The second revised edition of Making Pictures with Generative Adversarial Networks now includes an introduction by Nora Khan and additional artwork plates. Further reading and additional resources for the book.
• 6” x 8” / 15.25cm x 20.25cm
• 112 colour pages
• Cover includes flaps and metallic foil stamp
